If You Like "American Gods" You Might like My Novel (mild spoilers for the book/show—not my novel)

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Original American Gods book cover.

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Follow Me: Tattered Veils wide image art work created by Jake @ J Caleb Designs

This is part of my Honest Comparison series.  Hopefully, it helps you decide if my novel might be something you'd enjoy reading.  Thanks for tuning in!.

American Gods: is a novel by Neil Gaiman that's seeing a resurgence in popularity as a Starz TV show based on the book just finished its second season.  The basic premise Shadow, upon his release from prison, agrees to work as a bodyguard to Mr. Wednesday.  The two go on a road trip recruiting various associates of Mr. Wednesday.  A bunch of stuff happens that I would spoil if I went any further.  It’s a great supernatural/fantasy hybrid story that incorporates many kinds of storytelling.

What does this series and Follow Me: Tattered Veils share? 

One element both this story and mine have in common is that the magical/supernatural world intertwines with the mundane world readers know.  It’s happening next to us non-magical people and we’re just not looking at it.

In American Gods, gods and mythical creatures are just chilling on the human plane, working mundane jobs, and interacting with humans as they feel is best for their survival.  The inhuman beings in Follow Me: Tattered Veils are like that too.  They show up and bless or curse humans as they feel appropriate.  And just because the characters’ have ended the summoning or the ritual, doesn’t mean the beings they called have left.

American Gods uses real road trip landmarks as mystical energy centric places for gods and supernatural creatures to gather.  Since these places are real, readers can create their own American Gods style road trip if they desire, but it also helps to ground some more fantastic elements of the narrative in the real world.  I went to Rock City because of how it’s featured in American Gods and how I experienced that place was impacted by Gaiman’s description.  I’m aspiring to do the same for a few locations in Huntsville, Alabama.  

The characters in American Gods and Follow Me: Tattered Veils have critical flaws.  Sometimes the characters are down right unlikable.  What drives a reader to keep going is how interesting they are, it's a different type of charisma.  No one wants to sit down and have a beer with them, but they might be curious to see what the next move is anyway.  

While never intended for this use, American Gods comes up a lot in American pagan discussions.  There are a subset of polytheistic pagans in America who wonder what gods to honor.  We don't have ancient land gods like our European cousins (we do, they are Native American deities but there is a whole side discussion over whether we should/can honor these gods and which gods apply to which territory/how we would verify this info with the still living Native peoples).  I can't tell you how often "This is a bad land for gods," was quoted in a forum.  While not a religious or theological texts, American Gods creates a jumping off point to start discussing what it would mean if there were multiple gods, if those gods had limited powers, and if those gods had a fluctuating morality.  

Follow Me: Tattered Veils is a smaller, more personal story.  It doesn't discuss the nature of gods and how they may exist in a non native landscape.  Instead it tackles one woman modernizing an older practice to suit her lifestyle and it further tackles what happens when myths and legends are real and interacting with each other in the real world.  I don't expect it to be an intro to paganism, but I do think it may open a conversation up on many magic and legend based topics.

Did you love American Gods?    Have you read the book, watched the show, or both?  Do you like the book or the show better? Were any of these elements parts you loved?  If so consider picking up Follow Me: Tattered Veils when it releases in February.  Check out my website jessicadonegan.com for more details.

Haven't read American Gods yet but want to now?  Check it out at Amazon.  Looking for the show?  Look here.

Still undecided on whether you want to give my novel a chance? There's more stuff to help you! Check out:  Lost Girl Comparison and The O.A. Comparison.

Looking for more posts about the writing and publishing process?  Check out more posts on my novel publication process: Going Through Copy Edits, 1st Daft vs 2nd Draft, Goal Planning: Getting Through the First Draft, My Character Looks Nothing Like My MC, Cover Art: Turth in Advertising, and Post Book Launch: Reflections.  

Want to know more about my novel?  Check out my childhood stories recapping themes in my life I hope prepared me to write this book: Remember the Magic of Santa?, Closet Monsters: Gone too Far?, and Garden Gnomes and other Evils.

Need an introduction to Roxi Starr? Here's her performing an Imbolc ritual to help whet some appetites.

MY BOOK IS AVAILABLE AT AMAZON!!!  Please go look at "Follow Me: Tattered Veils" and see if it might be a story that interests you.

And for updates please check out jessicadonegan.com and subscribe.

My 2020 Writer's Goals

image from publicdomainvectors.org 

I have my own mental and physical calendar that is different from the traditional western yearly calendar.  My system allows me to reflect on the close of last year and to structure my plans.  If my goals appear more thought out than yours, know I’ve been meditating on them and planning what they are and how I’ll measure them for 50-ish days. 

1.   1.  Launch my debut novel Follow Me: Tattered Veils. While I often treat this as a fait accompli, it’s far from that.  I’m still creating blog posts and considering what kind of author media I need. Even after the book becomes available for purchase, there are some blog posts and little extras I want to include as a “read along” style content.

2.   2.   Complete the first draft of both Follow Me: Gods and Monsters and Cress Legacy (working title).  Both are novel length projects with some word count already invested.  I imagine I’ll need 130,000 more words to complete both.  Given my calendar structure I need to write about 3,000 fiction words a week.  I’m most concerned with achieving these draft goals.

3.    3.  Co-teach “Hello World and Introduction to Creative Writing” with Ashley once and finish all PowerPoints and course material for “Aggressive Self-Editing” with a possible course run in July/August?

4.   4.   Weekly blog posts going into the release of “Follow Me: Tattered Veils” and bi-weekly posts after its release.  Remember I write for 2 blogs.  That means I will still have a new post up every week, but I will change which blog I’m posting in.  I am reducing production goals to improve consistency.

5.    5.  Social media circus has to come back up.  Each week I will dedicate 2 hours to Twitter, an hour to Facebook and an hour to Instagram.   I don’t have a consistent schedule, so I will have to change the days and times I provide for each.

6.    6.  Reading and reviewing books.  There are 44 weeks in my calendar year, I think it’s appropriate to read 44 books or a book a week.  And I’m committing to 1/3 of those books being in either my genre (fantasy/urban fantasy) or being independently published works. 

Talk to me!  What are your 2020 goals?  Do you have any advice on how I can achieve my own plans?

Want to see more?  Check out my 2019 writing goals and my 2019 wrap up. 

Curious as to how I plan to achieve these goals?  Check out my post on how to create realistic 1st draft goals here.  I also have a post on how Habitica, an online fantasy goal tracker can help and I have one more post reviewing my own personal planning system.

Want to see my year in books?  I have my 2019 year here and my top 5 for 2018 along with a full detail list of 2018.  For more what on what I'm reading, check out my GoodReads profile.  

Garden Gnomes and Other Evils

Emma, Jessica, and Kyle.  Photo taken by Elena Lewis.

It scared me to go to my great grandmother’s house.  Her home was clean and silent, which unnerved me, but the true terror awaited me in her gardens.  She had lush vibrant flowers I enjoyed exploring, but waiting in those flower beds was something old and malevolent.

Garden gnomes.

Before Travelosity, before Gnomeo and Juliet, and before R. L. Stine, I knew the true depth of depravity in these ceramic figurines.  I’ve always suspected figurines with humaniod forms, but unlike my dolls or horses, these gnomes were taller than me and had small squinty eyes, pointy ears and hats, and it was always pointing and laughing with its white teeth.  What was so funny and why did the thing need teeth?  It was alive and coming to get me.

When my great grandmother passed, my mother brought the gnomes home and put them in our gardens.

Seems simple as an adult, but as a child these gnomes materializing was a nightmare.  One morning my home was free and then our gardens were contaminated with the spectral evil I knew they held in their stone hearts.  All this time my great grandma had protected me from them, appeasing them and keeping them on her lawn, but with her gone, they were here and going to kill me!

I wasn’t going down without a fight, though.  I gathered my sister and brother and we launched a full war campaign against the ugly invaders.  We threw rocks at them.

When they didn’t retaliate, we got bolder.  My sister and brother would load up in the peddler car and I‘d ram them into the gnome, hoping to knock it down.  They would flail their arms and scream, stuck staring at the killer’s dead eyes. I fled from the scene screaming how it would get us.  They would remember how to use the peddle car doors and escape the staring contest.  We spent hours roping the car away from the gnome and start the process again.  Slowly, the thing crumbled. Sweet victory.

Except, my mother loved her great grandmother’s gnomes.  She did not understand why it deteriorated—could it be acid rain?—but she would preserve them.  While we napped, she would glue the gnomes back together.

Words can not express the doom we felt when we woke from nap time to find the garden gnome whole again.  Before, there’d been a chance the gnome wasn‘t a living creature— I was known to have a wild imagination—but after the gnome regenerated?  And if there’d been a chance for peace between gnomes and children, it was long gone.  How could it want anything but our demise after all the times we’d torn it down?  It was him or us and he seemed poised to win.

But how does this gnome saga end?  Eventually our nightmares built and my mother learned about our campaign against garden gnomes and our all amorphous childhood fears of stone golems coming to life in the night and “getting us.”  She laughed.  We all laugh about it now.

Except I also tear up when I tell this story, because terror that bone deep marks a person.

What does this have to do with “Follow Me: Tattered Veils”?  My battle with garden gnomes went on for months.  For a child this was a brutal war of attrition.  Seasons changed and our enemy remained laughing and menacing.  I had the stamina as a child to face this horror.  My capacity to stare down all that terrifies me grew as I’ve aged.  Unshaped consequences that made me quake as a youth still live in dark corners of my mind just outside my ability to grasp.  Linger with me and face the unnamed possibility.

And ask: if a sheltered innocent child could inspire months of imaginative nightmares, what might a more worldly adult produce?

Like this post and want more?  Check out here where I reminisce over that time in our lives where we still believe in Santa. Or look at the terror a closet monster can add to one's childhood here.

Like this, there's a whole series!  Check out  Remember the Magic of Santa? and Closet Monsters: Gone too Far? for more childhood stories. ^_^

Looking for more posts about the writing and publishing process?  Check out more posts on my novel publication process: Going Through Copy Edits, 1st Daft vs 2nd Draft, Goal Planning: Getting Through the First Draft, My Character Looks Nothing Like My MC, Cover Art: Turth in Advertising, and Post Book Launch: Reflections.  

Want to know more about my novel?   Check out my series where I find similarities between my novel and other popular media.  Hopefully it gives you a better idea whether there are elements in my book you may enjoy.  Lost Girl Comparison, American Gods Comparison, and The O.A. Comparison.

MY BOOK IS AVAILABLE AT AMAZON!!!  Please go look at "Follow Me: Tattered Veils" and see if it might be a story that interests you.

Want more information?  Check out my website jessicadonegan.com and subscribe for updates.

Closet Monsters: Gone Too Far?

Jessica, Emma, Maurice, and Kyle going on a floom ride.  Photo taken by Elena Lewis.

Remember when the closet monster was a real prospect?  There are many varieties of the beloved creature.

First is the tidy child’s monster.  Their closet door presses shut, but somehow in the shadowed night, the door looms like a dark doorway, waiting for brave children to traverse to a realm of unspeakable horror.  

Next is the messy kid’s monster.  They shove their toys into the closet at the last minute, and the door never quite closes.  Frustrating in the day when they try to convince their guardians the room is clean and can they please go out and play.  At night, the door gapes open, a toothless maw.  The dark beyond is bottomless, any evil could await them.  

Third is the run down home’s monster.  This closet door never fully shuts.  Maybe the hinge isn’t lined up or maybe the door lost its latch.  No one cares about the why.  These children go to bed with a closed closet door, secure in their knowledge that nothing will harm them and wake up for water or to use the restroom, to an open door.  They race for the light and throw the switch like a medic to a defibrillator.  The world is incandescent, but it’s too late.  Something old and terrible lingers.  No light or company will ever make what crawled out of the closet go back in.  Creaky floorboards are its footsteps, drafty windows become its breath.  Whatever that thing is, it’s living in your house now, and there’s no way to exorcise it.  

The closet monster fascinated me.  How did it creep in at night and why did so many children assume it fled in the morning?  Does light hurt its skin like a vampire?  Does it sleep during the day like a bat?

And what did the monster want?  Was he guarding something on the other side of the darkness?  Did he eat socks, is that why I could never find matching pairs?

“Oh no,” my uncle told me, “he just wants to get you.”  

“Get me?” I asked. 

“Yeah you know, take kids.  He got my younger brother,” he said.

“No you’re the youngest brother!  Everyone says so,” I said. 

My uncle shrugged. 

“Yeah, now I am,” he said with a wink.

My siblings and I were hooked.  Yes, the closet monster lived in everyone’s home, but my grandparents' home, became its main den.  When we were there, we hunted it in cupboards, basements, and closets.  Why, because there was a missing uncle we might save.  Even if that uncle was long gone, we could at least “get” the monster back and keep it from ever taking another child.  Bring the fight to its home and all those great metaphors.  As eldest, I was good at rallying the younger ones to a worthy campaign.

And my uncle played his part.  He’d hide in basements and closets waiting for us and then roar and grab us.  We’d charge the monster and hit it or kick at it and he’d let the trapped sibling go and we’d run out, believing we’d narrowly escaped the monster’s clutches.  

As I grew older, and began to understand the game we were playing, I added new rules to keep my siblings believing for longer.  We would use flashlights and “light” formations to keep the monster back.  In reality, my uncle couldn’t sneak up on us if we all used our flashlights together, but the reasoning I gave was that the monster’s eyes were photo-sensitive.  The light blinded it, giving us time to move past it.  

When one of my siblings would doubt the closet monster’s existence, I’d dare them to go in alone to the closet.  There in the dark my uncle would shake clothes hangers and growl, stomping closer and further away.  The terrified sibling would go to the door and try to open it, only to find it stuck closed (I was barricading the door).  

They’d scream and plead for help and I’d say things like: 

“It’s sealed the doors, I can‘t open them!  I think it’s mad you don’t believe!  Quick say you believe in it before it gets you, maybe then the door will open!”  

My sister or brother always agreed. 

“I believe, I know you‘re real, I’m sorry, please!”

And I’d let them out.  We’d go eat cake, because sweet things help you recover and then we’d play in the sprinkler, because the monster can’t get you outside.  It hates fresh air.   

So how do I capture this dark childish terror for adult readers in “Follow Me: Tattered Veils?”  Instead of using an uncle to help make the monsters more real, I use old myths.  Stories told and retold in many time periods with different players but the same over reaching themes.  Hear the same story enough but different people and anyone will wonder— is this real?

And I use humanity’s limited scope of empathy.  I terrified my siblings, not just with stories of monsters, but actions that validated those fears.  I thought nothing of this fun game, but there was casual cruelty in the act.  We all carry a thoughtless capacity to scar each other.

Lastly, I use the closet monster himself.  Because the fathomless darkness where all kinds of good or evil could spawn lives in my heart and I think it might live in your heart too.  Don’t we all have a certain wardrobe we think might take us to Narnia or a certain set of words we think will release Bloody Mary?  “Follow Me: Tattered Veils” lives in a world where we investigate the wardrobe or we say the right words.  The roads to different possibilities open and I hope you’ll walk one of them with me.  

Like this, there's a whole series!  Check out  Remember the Magic of Santa? and Garden Gnomes and other Evils for more childhood stories. ^_^

Looking for more posts about the writing and publishing process?  Check out more posts on my novel publication process: Going Through Copy Edits, 1st Daft vs 2nd Draft, Goal Planning: Getting Through the First Draft, My Character Looks Nothing Like My MC, Cover Art: Turth in Advertising, and Post Book Launch: Reflections.  

Want to know more about my novel?   Check out my series where I find similarities between my novel and other popular media.  Hopefully it gives you a better idea whether there are elements in my book you may enjoy.  Lost Girl Comparison, American Gods Comparison, and The O.A. Comparison.

MY BOOK IS AVAILABLE AT AMAZON!!!  Please go look at "Follow Me: Tattered Veils" and see if it might be a story that interests you.

Want more information?  Check out my website jessicadonegan.com and subscribe for updates.

Remember the Magic of Santa?

Kyle, Emma, and Jessica, smiling over a home made Christmas tree cake.  Photo taken by Elena Lewis.  I took a picture of a picture to add to this story.

I believed in Santa until I was 13.  Too long, I know.

So was I just a gullible kid?  Well yes, but it was more than naivety.  I kept believing in Santa because I liked how it felt to believe in him.  The child like wonder and sense of possibility made me feel special.

As a quiet, nervous child (and adult) I spend a lot of time trying not to be noticed.  Attention= …bad things.  But lack of attention has its own frustrations.  I spent a long time watching children get credit for deeds I did every day without a hint of recognition.  Other children and adults may never see me, but Santa did.  He is always watching, and I was on his good list, so someone somewhere knew about all my hard work and valued it.

And those bad kids that seemed to get away with every cruel thing.  You know the ones with ugly smiles, taunting words, and a thoughtless push.  Well, they’d get coal.  Something to say, “I know what you did and I know deep down, you aren’t good.”

As I aged, there were doubts, but I wanted Santa, so I created stories and games that helped preserve him for me and my siblings past the natural expiration date such belief holds.

We did normal things, like write letters to Santa or stay up late and try to catch him in the act.

One year we came home to plastic reindeer toys under our pillows and our parents said “It’s so late, Santa must have stopped by, realized you weren’t home, and left this to warn you you needed to be in bed by the time he stops by again if you want Christmas presents.”

I think my parents wanted us to go to sleep quick, but this visit had the opposite effect on me.  I was alive with possibility.  How does Santa map his trip?  Does he stop by the same time each year?  Why couldn’t he leave the toys for us if we were not home?  The stories!

That year I added to our childish Santa myth.  We stayed up late, but in our room with the lights off.  Each bump and shake of our old house was Santa and the reindeer on the roof.  Did he know we were home but not asleep yet?  Was he waiting for us to get in bed and close our eyes?

Next year I instigated the “Santa’s Helper” program.  All three of us became “elves in training” without own special sleigh bells.  The point of the program was to spread cheer and good will through selfless deeds like reaching out to charities, being considerate to each other, and looking for kids less fortunate to do something kind for them.  The secret part of the club involved a bunch of secret missions from Santa we had to fulfill, and different signs we were closer to our goal of “elf.”  I claimed a secret communication with Santa through “phone calls” and “notes.”

How did me faking a secret agent like program where Santa was the “Charlie” of our “Charlie’s Angels” like group keep my belief in Santa?  As the person who made it all up, I should know it’s fake right?  But that’s the beauty of a child’s brain.  I could be aware both that I was making it all up and also believe there is a Santa and I was doing his work.

My goal as an Urban Fantasy writer is to bring you back to that time when Santa could have been real.  An adult “Santa’s Helper” club.

How do I manage that?

In “Follow Me: Tattered Veils” ground the story with a strong sense of place.  You can visit all the locations mentioned in Huntsville, Alabama.  All lies need truth in them right?

But I’m dedicated to the experience.  I commit to a sense of seasonal time too.  “Follow Me: Tattered Veils” begins in January and ends on Halloween.  As seasons change and time passes, I reference temperature, weather, and even which flowers bloom. Where and when the characters remain constant so readers feel confident in their sense of place.

My characters are everyday humans filled with flaws Joe and Jane everyman has.  They struggle with money, job satisfaction, friendships, and addictions.  Not a major or minor character stands without a rounded soul, capable of being on Santa’s “naughty or nice list.”

I introduce more fantastic elements gradually.  It starts with religion, an element of magic many adults accept, but I build from there to less “real” experiences.

I hope by the end of the journey your sense of reality undergoes changes and you’re left wondering.  Is there more in this world than the mundane?  Could Santa or something like him be real and is he always lurking just beyond our perception?

Like this, there's a whole series!  Check out  Closet Monsters: Gone too Far?and Garden Gnomes and other Evils for more childhood stories. ^_^

Looking for more posts about the writing and publishing process?  Check out more posts on my novel publication process: Going Through Copy Edits, 1st Daft vs 2nd Draft, Goal Planning: Getting Through the First Draft, My Character Looks Nothing Like My MC, Cover Art: Turth in Advertising, and Post Book Launch: Reflections.  

Want to know more about my novel?   Check out my series where I find similarities between my novel and other popular media.  Hopefully it gives you a better idea whether there are elements in my book you may enjoy.  Lost Girl Comparison, American Gods Comparison, and The O.A. Comparison.

MY BOOK IS AVAILABLE AT AMAZON!!!  Please go look at "Follow Me: Tattered Veils" and see if it might be a story that interests you.

Want more information?  Check out my website jessicadonegan.com and subscribe for updates.

Behind the Scenes: Writing "Melody's Crescendo"

image in public domain via publicdomainvectors.org

This post speaks to my personal writing process for “Melody’s Crescendo” and it contains spoilers for that work.  For a deeper understanding of the elements included or explained in this post please read my flash fiction (it’s short and free ^_^).

Our writers’ group looks at open calls for submission and all of us write toward one of the prompts together.  We share were we are in process, provide feedback on how each person took the same prompt in a different direction, and encourage each other to submit out completed stories.  

Melody’s Crescendo hatched from a call for action stories. Zach Standfield picked out this prompt.  It’s little surprise since he writes crime themed stories, that he thought a call for a short action story would be ideal. The other writers in my group have their stories from this exercise published.  I felt it was only fair Melody’s Crescendo see the light of day too.

Writing short, action driven narratives is not my strong suit (see what I write instead here).  I ramble and my interests align with themes and ideas more than actions or characters.  But I wasn’t about to admit I couldn’t write a short action piece, so I workshopped some ideas.  Both my mother and my husband had to hear a plethora of pitches and complaints for this prompt.  But I'm not a quitter and no one will ever accuse me of not completing a prompt (though chances are good I'll violate the spirit of the prompt just to be contrary ^_~).

The action genre has a lot of leading dudes.  War and spy movies come to mind first when someone says “action genre” with “crime fiction” a close third. I knew I wanted to subvert those expectations.  So I made my main character female, and I dropped her into college.  

I set the event at a party because I wanted my character to be the 'good guy'.  If Melody hunts out her ex, then she’s looking for trouble.  If she’s in her sorority house enjoying a party and the ex shows up, he’s the asshole.  Because the fight happened in Melody's home turf there's underlying tension to the scene.  If Melody isn't safe here, where can she retreat to?  Is this one bad relationship going to chase her out of college?  

There’s a lot of swearing.  College drinking culture = potty mouth (tell me I’m wrong youth).

The names were the most fun part of this story.  Melody is in my top twenty girls' names or all times, and the plays off the name seemed to flow. Her friend’s name is Robin because we know birds for chirping melodic beats.  

The work itself: Melody’s Crescendo refers to a musical notation that looks like < under a few stanzas of music.  It’s meant to indicate how a song gradually gets louder throughout the marking.  Melody’s story gets louder until she’s thrown in the bathroom.  I wanted to title the work “Melody’s Accelerando Crescendo” because the story beats pick up speed and volume, but that’s not a pretty title.  Plus, it’s a little on the nose.  

Music interests me in relation to an action based story because it has inherent movement without violence. I liked the nod to nonviolent action even if I wrote a story that incorporates a fight scene. I also like music because fight scene are choreographed like a dance.  I don't have to explain the connection between music and dance or how choreographing a fight is pretty much what I did for this story, right?  These were little elements to keep me engaged in writing something I'd usually avoid.

I held onto the Melody’s Crescendo for years without ever submitting it for publication.  My genre niche is in fantasy and there are no fantastic elements in this story.  Melody’s Crescendo leans into my 'feminist agenda,' or feels like it does anyway since the story covers rape, domestic abuse, and female friendship.  It’s a good story, but I didn’t want to be the girl author who writes about women.  More recently, I’ve seen how stupid that is.  I am an author who writes about “women’s issues” (FYI these are human issues not women only ones and I hate that anytime you want to speak about them you have to label them women's issues) and female identity. While I don’t think it’s my primary goal in work, it’s in all my writing.  Melody's Crescendo doesn't have the luxury of fantastic elements to couch some of the issues my protagonist faces, but her story shares more commonalities than different with other characters I've written.  

I hope you enjoyed Melody’s Crescendo and thanks for your curiosity in how it came together.  For more short stories try Halloween Spirit  (an about is here) or our writer’s group round robin with my ending.  

Personal Goals for 2019

image from openclipart.org by johnny_automatic

1. I want to finish my second draft of “Follow Me: Tattered Veils.”  I hesitate to announce this because every time I wish something for my novel, it feels like I stop working on it, but I want a 2020 publication, more than I can say.  I have the whole marketing campaign laid out in my head.

                 - Launch book early/late Jan, when the book begins in real world time, further connecting my urban fantasy to a sense of real world time and place.
                - Post blog/deleted material supplements along with the real passage of time during the first year of sale.  Continuing to reinforce that sense of Roxi and the other characters existing in our world and also providing some nice shorts/extra material for people who like the book.
                -Have a huge sale/set of giveaways in Sept leading into October book climax and have a ton of blog/deleted scenes going into the mega holiday.
               -Work more on sequel,  “Follow Me: the Realms of Gods and Monsters,” because I’m super hyped for that book

2.  I want to maintain my blogging habit, but I am rolling back the intensity of posting.  I really focused July-Dec on getting the NAWG blog up and running and returning to this more introspective blog.  There were great results.  I feel more established as a writer in a community.   This has led to more positive feelings regarding my work, it’s helped me become more organized, and it’s driven me to feel more connection to my projects and goals.  Creatively, I’ve had the chance to pitch small ideas and little quips on Twitter.  Marketing wise: I’ve increased my audience and with the time/tools at my disposal, I think I’ve maximized growth.

All this focus meant: little creative writing could happen and this year I want to tear through “Follow Me” and launch it, so the blog work has to step back.

3. Reconnect with esoteric magic and folklore.  My wellspring for creativity comes from melding the fantastic with the mundane.  And I haven’t been keeping my store of “fantastic” elements full.  I spent a few hours looking up ancient Roman festivals and from a few readings I have five new ideas for stories.  Better, I “took a break from research” and edited 3 chapters in “Follow Me”.

4.  Stop making more goals.  Last year, I had a whole spreadsheet of goals. It was awesome, because no matter what direction I went in, I was moving toward success.  This year I want to zero in on specifics, keep my eye on one goal.  It might mean I don’t feel as successful all the time, but I’m hoping it leads me to seeing my novel completed this year and on the road to publication.

Finding the Right time Postdating and Predating Blogs

image from openclipart.org by JayNick

For the unaware, you can schedule blogs to post in the future, the present, and in the past.  Scheduling blogs to drop automatically is convenient because I can write everything at once, proofread it, gather the images, and set up on the blog all together.  It lets me keep a stack of planned content at all times, and once written, I can forget about it (excluding promoting it).  

Posting content as soon as it’s complete, is what most people assume is the norm.  I haven‘t polled any bloggers, so I don’t know if people usually schedule content out or if they add it each day.  I used to post my “Monday Metrics” blogs same day, but my work schedule no longer allows for this and I have to write them ahead of time.  

The least intuitive of these three schedulers is to predate blogs.  An unscrupulous person may predate a blog so they can say they “posted” first they can claim their blog has been around longer than it‘s been up and running.  I don’t care for either of these uses.  

Still, I like to predate blogs sometimes.  My “Writers’ Blogs” and “Company Blogs” were both post dated for Jan 1st 2018.  I created both posts in October and I update them as needed.  Why are they posted in the past?  Simple: when I created lists of blogs I follow, they were small and I didn’t want the lists to take up the front page.  I thought of these posts as “reference” posts which would become relevant as time went on but held little value in the present.  Once I had more suggested bloggers, once I had a larger following, these posts would matter, but as things stand, I don’t believe they add value.  One can find them under the “Resources” page and readers I hope to gain will one day find these posts helpful.

Why not just keep the content as a draft and publish when it has more value?  First, I have a hard time finding floating drafts. It’s easier to set a date for publication and I don’t know when these lists would be welcome.   Second, I hold the slim hope that some people find suggested blogs to read helpful now.  Even if the list is small, it may help people connect to other bloggers that hold like goals.  Plus, having a published page creates a place for readers and fellow bloggers to recommend more resources I can check out and this may increase my list.  

I may create a list of books I read in 2017, and I would post date the list to 2017, even though I’m creating the list now (using Goodreads for reference).  

If I ever wanted to create a post defining literary terms, if I wanted to write a list of helpful descriptive words for taste/smell/touch, and so on these kinds of posts would become post dated and exist for me to reference, not showcase at the top release of my blogs. If I ever wanted to create a blog post response for Twitter hashtag conversations, I would date the blogs to the day they asked, not the date I answered the question.  

The common factor with all these posts they are references, not featured content.  While they may hold helpful information, it‘s as an aside, not a main article.  I create them more to build interwoven links within my blog than to be the main feature.

Talk to me!  Do you blog and if so do you schedule posts?  How many interconnected links do you create within posts?  Do you go back to older posts and add links when more recent posts may also relate? 

I Took a Writing Class and This is My Experience

image from openclipart.org by oksmith

In August, I signed up for a writing class run by Megan Beam through Les Conteurs.  The class started on Sept 3rd and run 8 weeks.  It cost me $100.

Why I took the Class:

My friend took the class and recommended it.  She said Megan’s style and mine were similar and she might help me go through the second draft of my novel “Follow Me: Tattered Veils” 

 Megan is a published author in my genre, and I was looking for something to drive me and make me accountable.  I wanted feedback.  

A third consideration, is that I wanted to blog about my experience in Megan‘s class.  I wanted to talk about what it was like to go back to “school” for writing.  I missed regular work shopping.  I wondered if focused assignments would help me this time around or annoy as they had in the past.  I wondered how a writing class would compare to a writers’ group.  I wondered what kind of writers I would meet in class and if I would make friends with them as I had those from my writers’ group.  I even hoped to get insight in how to query agents, publish, and market.  There is so much a published author could tell me.  

As readers know, I haven't blogged about the class.  I think my experience will explain why.

My Experience:

I received no notice on September 3rd, so on the 5th I emailed Megan asking her if I’d missed something and confirming they enrolled me in her class.  She sent me a generic “I’m working on it” email.  Satisfied, I waited.  

I got an invitation into Quip on September 10th.  When I logged in, I saw I would take this class with two other writers.  Both these other writers were in the summer session with Ashley and had already started folders.  What did Megan clean up if she left her previous students’ class work from last class in place?  It made me feel like a fish out of water right away, to be the only new student.  I tried to ignore this and dismiss it as me being too sensitive.  At this point I still wanted the class to work and thought I could still achieve all my goals even if I was the "new kid on the block".

  There were no instructions other than to create a folder and an intro, so I did that. I waited a week before Megan got class running.  Two weeks gone and no actual meeting happening until September 23rd.  

Now the meeting on the 23rd was productive.  We were missing one member but those of us there outlined our desired projects, what we were looking for, and what we planned to do that week.  Megan seemed interested in my work, and it thrilled me.  This is what I’d signed up for, a fellow urban fantasy writer to geek out over my writing on.  Megan never mentioned what projects she planned to work on, which I found strange because my friend told me Megan also wrote and asked for feedback on her writing during class.  I resolved that I would go to her folder and comment on her writing from last class. Though, since she said she'd finalized the work there, if felt a little awkward to comment.  Like when I find corrections to make on a fellow writer's work when I know the work is out for submission.

I commented on Megan and my other classmate‘s work within the week.  On Sept 30th Megan said she hadn‘t read anything and would get to it ASAP.  We had no meeting or chat of any kind.  She didn‘t comment on my work until Oct 10th.  We are over “half” done with the class and I’m just getting feedback.  The feedback inspired edits on my chapter 1 & 2.  One reason I wanted to join class was met, though it's only about 8,000 words of feed back and I was thinking 2,000 words a week minimum at eight weeks and I'd see the first 16,000 words read which would give me a strong direction in my novel.  At that point I'd either be able to continue on my own or sign up for the winter session.

I made edits, asked questions, and in a burst of enthusiasm, posted Chapter 3.  I also went over to her folder and made spent time digging for comments on her work.  She is a good writer.  I enjoyed reading her work, but felt there were too many missing chunks for me to make a lot of commentaries.  Still, I tried.  

To be fair, I received a lot more attention than my fellow student did.  She had three documents up and only got two comments on her outline with no thoughts on her prologue.  

This is where the class ends though.  We got no assignments, no one got concrete advice, and there was no class opening or closing.  We had one meeting over 8 weeks.  I feel cheated.  

In the spirit of full disclosure, I never reached out to her and expressed how neglected I felt the class was.  These typed words are the first expression of my frustration and anger regarding the class.  On the other side, when I sign up for a class, I expect to show up in the classroom and for the teacher to be there.  I don't expect to have to write a letter to the dean asking why my instructor rarely shows up and never has a lesson plan when she does arrive.

Normally I wouldn't bring this issue to public in this manner, but there is no other way to leave feedback on the class.  Both her site and the Quip site she uses don't have any area for feed back.  I could start a direct confrontation with her, but at this point I don't know that I want anything from her.  What I want is to speak in public about what happened and let others make their own decisions regarding the "class".

Can I Recommend the Class?

Obviously not.  I don’t think it was Megan’s intention to quit on us, but she should have communicated more and she should have refunded our money when it became self evident she could not run class this semester.  Or, if she always intended this to be a paid beta reading service with a thirty-minute meet and greet, she should have called it that.  Her actual shop service is vague enough she may legally skate by.  This is why I'm outlining what specifically was delivered for $100.

It was a weird experience, and it reminded me of working with an English teacher who didn‘t want to teach but didn’t know what else to do with their major.

And why Quip when Google Docs and Hangouts exists?  The site choice was a miss for me.  It wasn’t bad, there are just better options.

My experience differs greatly from the summer session, so perhaps a person could go to a future class or have gone to a past class and had a more constructive experience.  It’s $100 gamble though. 

Do I Recommend a Writing Class in General? 

Of course!  Writing class can be a great way to get feedback from a group of fellow writers.  It can help keep a writer focused and writing.  It can give assignments that force a writer to explore topics, genres, and styles that help them grow.   

Talk to me!  Have you ever been to a writing class?  If not would you want to take a writing class and what would you look for in said class?

If you‘ve been in a writing class, how did it go?  What did you do?  Did you learn anything?  Did you make any friends?

6 Steps To a Twitter Success: Altered Plans

image from openclipart.org by Luen

After 15 weeks on Twitter, I thought I’d update my Twitter routine.  There are little tweaks here and there.  It turns out I only continue to use six of the eight original points in my plan and the steps I keep, I‘ve altered.  Want to compare? Check out the old 8 step plan

1. Create and Share Interesting and Unique Content

This is the foundation of my Twitter process.  In the past week, I‘ve done more straight Retweets because I haven‘t had time to share my own thoughts, but even then I share what I like.

2. Schedule Posts. 

Post scheduling makes everything else in my writing plan work.  Without Hootsuite, I wouldn’t be able to maintain a presence on Twitter.  My style of interacting is less constant than some of my more outgoing peers.  Post planning allows me to use that time and spread it out across the day so I can look outgoing while I’m sitting cozy with my dog or at work going through the motions.  Plus, when I have the “bright” idea to share blog content, I can spread it out across days instead of dropping too much self promotion all at once.  

3. Create More Personal Connections on the Medium

This happened/ is happening in unexpected ways, but yes.  I have a sense of “regulars” whom I Retweet or are most likely to respond to my posts/comments.  I’m getting more comfortable and can maintain a conversation for longer.  Sometimes I worry I talk about the same thing too much or my Tweets might bore, but then I remember that almost no one consumes my Twitter content all at once.  Their feed shows it intermittently and people go days without even seeing anything from me (when they have larger followings).

Building this Twitter empire has been eye opening.  No matter what a person does with the algorithms, nothing seems as important as connecting with other people. Granted, I got into this to find an audience so people would always be the focus, but somehow I thought I’d learn more about maneuvering around them and using software tools to get in front of the right eyes.  It’s far more organic than that, and I think with no other tools than these three, a person could find their audience on Twitter.


4. Use of Hashtags

While I’ve used hashtags to my benefit, I am a lot more relaxed about it than I expected.  Some Tweets blow up and others don’t.  Same hashtags, same time of day, but different results.  What’s more important is getting noticed and shared by someone with a large following that‘s different from yours.  

Hashtags help me find other people with like minds that I haven‘t seen yet.  They also help my posts get noticed by different but similar groups.  To that end, they are important, but again, it comes back to people taking the next step and sharing you with the audience they’ve built.  

I don’t hunt in the Hashtags as much as I should, but so many new people come to my attention in an organic method, it‘s hard to follow them and anything happening in the Hashtag game.  When I have to choose, I choose the people.

5. Check in 

So I try to “Check in” every three-ish days.  What this means is that I pick a few new followers profiles and a few profiles of people who liked or retweeted something and I look through their feed.  If I like their content or their bio, I friend them.  Doing this once a week was way too overwhelming.  Committing to look at everyone who had eyes on me was also overwhelming.  I’m sorry if I overlooked you through this process.  I can promise that if you continue to interact with me, I check out your profile and feed, eventually.  And I follow—it takes over one interaction to get my attention these days.

6.  Use Twitter Analytics:

Still do this weekly.  My updates lack my desired consistency.  I will rectify that by drafting on Sunday.  The metrics won‘t be as accurate but at least the blog will come out.  Knowing where you stand is the only way to know if what you are doing is helping or hurting your goals, but also, I love numbers.  It fascinates me.  I learn more about what is important on the platform every day.  What interests me most (that I don‘t share with you guys) is the “Audiences” tab.  The most common interest for my followers is dogs and science news.  The male to female split is 50/50.  Most of my audience is American and they prefer to use laptops/desktops.  What does this stuff tell me: I don’t know, but I like having this information.  It makes me feel closer to the random voices I stumble across on Twitter.

Talk to me.  Do you use Twitter and if so for what?  Are you building a following and if so how?  Do you have tips or tricks to help find others with shared interests?  Do you like Twitter or do you prefer a different social media?  

Looking for the numbers? Check out my Monday Metrics Posts on:  11/19, 11/12,  11/5, 10/22, 10/15 10/9, 10/1, 9/24,  9/17, and  9/10