If You Like "American Gods" You Might like My Novel (mild spoilers for the book/show—not my novel)

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Original American Gods book cover.

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Follow Me: Tattered Veils wide image art work created by Jake @ J Caleb Designs

This is part of my Honest Comparison series.  Hopefully, it helps you decide if my novel might be something you'd enjoy reading.  Thanks for tuning in!.

American Gods: is a novel by Neil Gaiman that's seeing a resurgence in popularity as a Starz TV show based on the book just finished its second season.  The basic premise Shadow, upon his release from prison, agrees to work as a bodyguard to Mr. Wednesday.  The two go on a road trip recruiting various associates of Mr. Wednesday.  A bunch of stuff happens that I would spoil if I went any further.  It’s a great supernatural/fantasy hybrid story that incorporates many kinds of storytelling.

What does this series and Follow Me: Tattered Veils share? 

One element both this story and mine have in common is that the magical/supernatural world intertwines with the mundane world readers know.  It’s happening next to us non-magical people and we’re just not looking at it.

In American Gods, gods and mythical creatures are just chilling on the human plane, working mundane jobs, and interacting with humans as they feel is best for their survival.  The inhuman beings in Follow Me: Tattered Veils are like that too.  They show up and bless or curse humans as they feel appropriate.  And just because the characters’ have ended the summoning or the ritual, doesn’t mean the beings they called have left.

American Gods uses real road trip landmarks as mystical energy centric places for gods and supernatural creatures to gather.  Since these places are real, readers can create their own American Gods style road trip if they desire, but it also helps to ground some more fantastic elements of the narrative in the real world.  I went to Rock City because of how it’s featured in American Gods and how I experienced that place was impacted by Gaiman’s description.  I’m aspiring to do the same for a few locations in Huntsville, Alabama.  

The characters in American Gods and Follow Me: Tattered Veils have critical flaws.  Sometimes the characters are down right unlikable.  What drives a reader to keep going is how interesting they are, it's a different type of charisma.  No one wants to sit down and have a beer with them, but they might be curious to see what the next move is anyway.  

While never intended for this use, American Gods comes up a lot in American pagan discussions.  There are a subset of polytheistic pagans in America who wonder what gods to honor.  We don't have ancient land gods like our European cousins (we do, they are Native American deities but there is a whole side discussion over whether we should/can honor these gods and which gods apply to which territory/how we would verify this info with the still living Native peoples).  I can't tell you how often "This is a bad land for gods," was quoted in a forum.  While not a religious or theological texts, American Gods creates a jumping off point to start discussing what it would mean if there were multiple gods, if those gods had limited powers, and if those gods had a fluctuating morality.  

Follow Me: Tattered Veils is a smaller, more personal story.  It doesn't discuss the nature of gods and how they may exist in a non native landscape.  Instead it tackles one woman modernizing an older practice to suit her lifestyle and it further tackles what happens when myths and legends are real and interacting with each other in the real world.  I don't expect it to be an intro to paganism, but I do think it may open a conversation up on many magic and legend based topics.

Did you love American Gods?    Have you read the book, watched the show, or both?  Do you like the book or the show better? Were any of these elements parts you loved?  If so consider picking up Follow Me: Tattered Veils when it releases in February.  Check out my website jessicadonegan.com for more details.

Haven't read American Gods yet but want to now?  Check it out at Amazon.  Looking for the show?  Look here.

Still undecided on whether you want to give my novel a chance? There's more stuff to help you! Check out:  Lost Girl Comparison and The O.A. Comparison.

Looking for more posts about the writing and publishing process?  Check out more posts on my novel publication process: Going Through Copy Edits, 1st Daft vs 2nd Draft, Goal Planning: Getting Through the First Draft, My Character Looks Nothing Like My MC, Cover Art: Turth in Advertising, and Post Book Launch: Reflections.  

Want to know more about my novel?  Check out my childhood stories recapping themes in my life I hope prepared me to write this book: Remember the Magic of Santa?, Closet Monsters: Gone too Far?, and Garden Gnomes and other Evils.

Need an introduction to Roxi Starr? Here's her performing an Imbolc ritual to help whet some appetites.

MY BOOK IS AVAILABLE AT AMAZON!!!  Please go look at "Follow Me: Tattered Veils" and see if it might be a story that interests you.

And for updates please check out jessicadonegan.com and subscribe.

Closet Monsters: Gone Too Far?

Jessica, Emma, Maurice, and Kyle going on a floom ride.  Photo taken by Elena Lewis.

Remember when the closet monster was a real prospect?  There are many varieties of the beloved creature.

First is the tidy child’s monster.  Their closet door presses shut, but somehow in the shadowed night, the door looms like a dark doorway, waiting for brave children to traverse to a realm of unspeakable horror.  

Next is the messy kid’s monster.  They shove their toys into the closet at the last minute, and the door never quite closes.  Frustrating in the day when they try to convince their guardians the room is clean and can they please go out and play.  At night, the door gapes open, a toothless maw.  The dark beyond is bottomless, any evil could await them.  

Third is the run down home’s monster.  This closet door never fully shuts.  Maybe the hinge isn’t lined up or maybe the door lost its latch.  No one cares about the why.  These children go to bed with a closed closet door, secure in their knowledge that nothing will harm them and wake up for water or to use the restroom, to an open door.  They race for the light and throw the switch like a medic to a defibrillator.  The world is incandescent, but it’s too late.  Something old and terrible lingers.  No light or company will ever make what crawled out of the closet go back in.  Creaky floorboards are its footsteps, drafty windows become its breath.  Whatever that thing is, it’s living in your house now, and there’s no way to exorcise it.  

The closet monster fascinated me.  How did it creep in at night and why did so many children assume it fled in the morning?  Does light hurt its skin like a vampire?  Does it sleep during the day like a bat?

And what did the monster want?  Was he guarding something on the other side of the darkness?  Did he eat socks, is that why I could never find matching pairs?

“Oh no,” my uncle told me, “he just wants to get you.”  

“Get me?” I asked. 

“Yeah you know, take kids.  He got my younger brother,” he said.

“No you’re the youngest brother!  Everyone says so,” I said. 

My uncle shrugged. 

“Yeah, now I am,” he said with a wink.

My siblings and I were hooked.  Yes, the closet monster lived in everyone’s home, but my grandparents' home, became its main den.  When we were there, we hunted it in cupboards, basements, and closets.  Why, because there was a missing uncle we might save.  Even if that uncle was long gone, we could at least “get” the monster back and keep it from ever taking another child.  Bring the fight to its home and all those great metaphors.  As eldest, I was good at rallying the younger ones to a worthy campaign.

And my uncle played his part.  He’d hide in basements and closets waiting for us and then roar and grab us.  We’d charge the monster and hit it or kick at it and he’d let the trapped sibling go and we’d run out, believing we’d narrowly escaped the monster’s clutches.  

As I grew older, and began to understand the game we were playing, I added new rules to keep my siblings believing for longer.  We would use flashlights and “light” formations to keep the monster back.  In reality, my uncle couldn’t sneak up on us if we all used our flashlights together, but the reasoning I gave was that the monster’s eyes were photo-sensitive.  The light blinded it, giving us time to move past it.  

When one of my siblings would doubt the closet monster’s existence, I’d dare them to go in alone to the closet.  There in the dark my uncle would shake clothes hangers and growl, stomping closer and further away.  The terrified sibling would go to the door and try to open it, only to find it stuck closed (I was barricading the door).  

They’d scream and plead for help and I’d say things like: 

“It’s sealed the doors, I can‘t open them!  I think it’s mad you don’t believe!  Quick say you believe in it before it gets you, maybe then the door will open!”  

My sister or brother always agreed. 

“I believe, I know you‘re real, I’m sorry, please!”

And I’d let them out.  We’d go eat cake, because sweet things help you recover and then we’d play in the sprinkler, because the monster can’t get you outside.  It hates fresh air.   

So how do I capture this dark childish terror for adult readers in “Follow Me: Tattered Veils?”  Instead of using an uncle to help make the monsters more real, I use old myths.  Stories told and retold in many time periods with different players but the same over reaching themes.  Hear the same story enough but different people and anyone will wonder— is this real?

And I use humanity’s limited scope of empathy.  I terrified my siblings, not just with stories of monsters, but actions that validated those fears.  I thought nothing of this fun game, but there was casual cruelty in the act.  We all carry a thoughtless capacity to scar each other.

Lastly, I use the closet monster himself.  Because the fathomless darkness where all kinds of good or evil could spawn lives in my heart and I think it might live in your heart too.  Don’t we all have a certain wardrobe we think might take us to Narnia or a certain set of words we think will release Bloody Mary?  “Follow Me: Tattered Veils” lives in a world where we investigate the wardrobe or we say the right words.  The roads to different possibilities open and I hope you’ll walk one of them with me.  

Like this, there's a whole series!  Check out  Remember the Magic of Santa? and Garden Gnomes and other Evils for more childhood stories. ^_^

Looking for more posts about the writing and publishing process?  Check out more posts on my novel publication process: Going Through Copy Edits, 1st Daft vs 2nd Draft, Goal Planning: Getting Through the First Draft, My Character Looks Nothing Like My MC, Cover Art: Turth in Advertising, and Post Book Launch: Reflections.  

Want to know more about my novel?   Check out my series where I find similarities between my novel and other popular media.  Hopefully it gives you a better idea whether there are elements in my book you may enjoy.  Lost Girl Comparison, American Gods Comparison, and The O.A. Comparison.

MY BOOK IS AVAILABLE AT AMAZON!!!  Please go look at "Follow Me: Tattered Veils" and see if it might be a story that interests you.

Want more information?  Check out my website jessicadonegan.com and subscribe for updates.

Remember the Magic of Santa?

Kyle, Emma, and Jessica, smiling over a home made Christmas tree cake.  Photo taken by Elena Lewis.  I took a picture of a picture to add to this story.

I believed in Santa until I was 13.  Too long, I know.

So was I just a gullible kid?  Well yes, but it was more than naivety.  I kept believing in Santa because I liked how it felt to believe in him.  The child like wonder and sense of possibility made me feel special.

As a quiet, nervous child (and adult) I spend a lot of time trying not to be noticed.  Attention= …bad things.  But lack of attention has its own frustrations.  I spent a long time watching children get credit for deeds I did every day without a hint of recognition.  Other children and adults may never see me, but Santa did.  He is always watching, and I was on his good list, so someone somewhere knew about all my hard work and valued it.

And those bad kids that seemed to get away with every cruel thing.  You know the ones with ugly smiles, taunting words, and a thoughtless push.  Well, they’d get coal.  Something to say, “I know what you did and I know deep down, you aren’t good.”

As I aged, there were doubts, but I wanted Santa, so I created stories and games that helped preserve him for me and my siblings past the natural expiration date such belief holds.

We did normal things, like write letters to Santa or stay up late and try to catch him in the act.

One year we came home to plastic reindeer toys under our pillows and our parents said “It’s so late, Santa must have stopped by, realized you weren’t home, and left this to warn you you needed to be in bed by the time he stops by again if you want Christmas presents.”

I think my parents wanted us to go to sleep quick, but this visit had the opposite effect on me.  I was alive with possibility.  How does Santa map his trip?  Does he stop by the same time each year?  Why couldn’t he leave the toys for us if we were not home?  The stories!

That year I added to our childish Santa myth.  We stayed up late, but in our room with the lights off.  Each bump and shake of our old house was Santa and the reindeer on the roof.  Did he know we were home but not asleep yet?  Was he waiting for us to get in bed and close our eyes?

Next year I instigated the “Santa’s Helper” program.  All three of us became “elves in training” without own special sleigh bells.  The point of the program was to spread cheer and good will through selfless deeds like reaching out to charities, being considerate to each other, and looking for kids less fortunate to do something kind for them.  The secret part of the club involved a bunch of secret missions from Santa we had to fulfill, and different signs we were closer to our goal of “elf.”  I claimed a secret communication with Santa through “phone calls” and “notes.”

How did me faking a secret agent like program where Santa was the “Charlie” of our “Charlie’s Angels” like group keep my belief in Santa?  As the person who made it all up, I should know it’s fake right?  But that’s the beauty of a child’s brain.  I could be aware both that I was making it all up and also believe there is a Santa and I was doing his work.

My goal as an Urban Fantasy writer is to bring you back to that time when Santa could have been real.  An adult “Santa’s Helper” club.

How do I manage that?

In “Follow Me: Tattered Veils” ground the story with a strong sense of place.  You can visit all the locations mentioned in Huntsville, Alabama.  All lies need truth in them right?

But I’m dedicated to the experience.  I commit to a sense of seasonal time too.  “Follow Me: Tattered Veils” begins in January and ends on Halloween.  As seasons change and time passes, I reference temperature, weather, and even which flowers bloom. Where and when the characters remain constant so readers feel confident in their sense of place.

My characters are everyday humans filled with flaws Joe and Jane everyman has.  They struggle with money, job satisfaction, friendships, and addictions.  Not a major or minor character stands without a rounded soul, capable of being on Santa’s “naughty or nice list.”

I introduce more fantastic elements gradually.  It starts with religion, an element of magic many adults accept, but I build from there to less “real” experiences.

I hope by the end of the journey your sense of reality undergoes changes and you’re left wondering.  Is there more in this world than the mundane?  Could Santa or something like him be real and is he always lurking just beyond our perception?

Like this, there's a whole series!  Check out  Closet Monsters: Gone too Far?and Garden Gnomes and other Evils for more childhood stories. ^_^

Looking for more posts about the writing and publishing process?  Check out more posts on my novel publication process: Going Through Copy Edits, 1st Daft vs 2nd Draft, Goal Planning: Getting Through the First Draft, My Character Looks Nothing Like My MC, Cover Art: Turth in Advertising, and Post Book Launch: Reflections.  

Want to know more about my novel?   Check out my series where I find similarities between my novel and other popular media.  Hopefully it gives you a better idea whether there are elements in my book you may enjoy.  Lost Girl Comparison, American Gods Comparison, and The O.A. Comparison.

MY BOOK IS AVAILABLE AT AMAZON!!!  Please go look at "Follow Me: Tattered Veils" and see if it might be a story that interests you.

Want more information?  Check out my website jessicadonegan.com and subscribe for updates.

Behind the Scenes: Writing "Melody's Crescendo"

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This post speaks to my personal writing process for “Melody’s Crescendo” and it contains spoilers for that work.  For a deeper understanding of the elements included or explained in this post please read my flash fiction (it’s short and free ^_^).

Our writers’ group looks at open calls for submission and all of us write toward one of the prompts together.  We share were we are in process, provide feedback on how each person took the same prompt in a different direction, and encourage each other to submit out completed stories.  

Melody’s Crescendo hatched from a call for action stories. Zach Standfield picked out this prompt.  It’s little surprise since he writes crime themed stories, that he thought a call for a short action story would be ideal. The other writers in my group have their stories from this exercise published.  I felt it was only fair Melody’s Crescendo see the light of day too.

Writing short, action driven narratives is not my strong suit (see what I write instead here).  I ramble and my interests align with themes and ideas more than actions or characters.  But I wasn’t about to admit I couldn’t write a short action piece, so I workshopped some ideas.  Both my mother and my husband had to hear a plethora of pitches and complaints for this prompt.  But I'm not a quitter and no one will ever accuse me of not completing a prompt (though chances are good I'll violate the spirit of the prompt just to be contrary ^_~).

The action genre has a lot of leading dudes.  War and spy movies come to mind first when someone says “action genre” with “crime fiction” a close third. I knew I wanted to subvert those expectations.  So I made my main character female, and I dropped her into college.  

I set the event at a party because I wanted my character to be the 'good guy'.  If Melody hunts out her ex, then she’s looking for trouble.  If she’s in her sorority house enjoying a party and the ex shows up, he’s the asshole.  Because the fight happened in Melody's home turf there's underlying tension to the scene.  If Melody isn't safe here, where can she retreat to?  Is this one bad relationship going to chase her out of college?  

There’s a lot of swearing.  College drinking culture = potty mouth (tell me I’m wrong youth).

The names were the most fun part of this story.  Melody is in my top twenty girls' names or all times, and the plays off the name seemed to flow. Her friend’s name is Robin because we know birds for chirping melodic beats.  

The work itself: Melody’s Crescendo refers to a musical notation that looks like < under a few stanzas of music.  It’s meant to indicate how a song gradually gets louder throughout the marking.  Melody’s story gets louder until she’s thrown in the bathroom.  I wanted to title the work “Melody’s Accelerando Crescendo” because the story beats pick up speed and volume, but that’s not a pretty title.  Plus, it’s a little on the nose.  

Music interests me in relation to an action based story because it has inherent movement without violence. I liked the nod to nonviolent action even if I wrote a story that incorporates a fight scene. I also like music because fight scene are choreographed like a dance.  I don't have to explain the connection between music and dance or how choreographing a fight is pretty much what I did for this story, right?  These were little elements to keep me engaged in writing something I'd usually avoid.

I held onto the Melody’s Crescendo for years without ever submitting it for publication.  My genre niche is in fantasy and there are no fantastic elements in this story.  Melody’s Crescendo leans into my 'feminist agenda,' or feels like it does anyway since the story covers rape, domestic abuse, and female friendship.  It’s a good story, but I didn’t want to be the girl author who writes about women.  More recently, I’ve seen how stupid that is.  I am an author who writes about “women’s issues” (FYI these are human issues not women only ones and I hate that anytime you want to speak about them you have to label them women's issues) and female identity. While I don’t think it’s my primary goal in work, it’s in all my writing.  Melody's Crescendo doesn't have the luxury of fantastic elements to couch some of the issues my protagonist faces, but her story shares more commonalities than different with other characters I've written.  

I hope you enjoyed Melody’s Crescendo and thanks for your curiosity in how it came together.  For more short stories try Halloween Spirit  (an about is here) or our writer’s group round robin with my ending.  

Going Through Copy Edits!

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My Copy Editor, Kristy Stewart of Looseleaf Tea returned my manuscript this past Wednesday!

As long-term readers and friends may suspect, I’ve been too keyed up to do much new writing (blogging/creative/ect).  But, I committed to post once a week on each of my blogs so let me offer some editing observations.  

1. I am over the moon with excitement.  Didn’t know it was humanly possible to be so energetically happy so long, figured it would burn something in my system out.  

2. It’s taking longer to approve/reject changes than I expected.  Mark up on a word document can be difficult to see if it’s a single comma (and I’m missing a lot of those).  It’s also tedious any time my editor makes a period a comma or a comma a period because I have to approve 3 changes individually (agree to delete the original punctuation, agree to accept the new punctuation and agree to capitalization or lower case of the following word).

3. There're fewer edits than I expected.  Not a knock on Kristy, her work is thorough.  I just mentally set my mind back into English paper mode.  I never scored well on those in school.

4. The recommended edits are a continuation of work I’ve already done.  She suggests a lot of verbs tense change, and I’ve changed a million verb tenses a million times already.  I still missed some or changed them incorrectly.  I would never get these tense right without outside eyes, so that alone is worth my money.

5. There are open-ended comments.  Like “this is confusing for X reason. Consider clarifying.”  

6. I don’t know how/when to hyphen words together.  When I’m done with these edits, I’m rereading those rules.  

7.  Even though she was copy editing, there are little gems that show what a strong grasp of character and plot Kristy has.  So far, she’s made two suggestions to add a line of dialogue here or there that should have been obvious fixes for me, but I needed someone to suggest.

8. She’s suggestion : and ; but I’m rejecting them still.  I’m aware of what grammar says about these things, but I have an ever expanding list of why these two kinds of punctuation do not belong in fictional prose (funny coming from someone who is using a colon in their book’s title). 

9. She’s adding some “that” back into my writing and she’s starting some of my sentences with And or But.  Both elements I culled due to massive overuse.  It’s nice when someone else sprinkles them in.

10.  In a few notable places where my writer’s group asked me to change something, and I held onto it for detailed reason X, Kristy asked for the same changes.  My writers’ group will be happy to know I capitulated.  

11. Even though I use breath and breathe all the time in my stories, I don’t know when to use which. 🙄

12. Toward vs Towards also comes up a lot.  Maybe reread rules with when to use an s?

Talk to me.  Where are you in your writing process?  What kind of feedback do you get from beta readers or writing groups? What kind of feedback do you get from your copy editor?  What’s your best experience with an editor?  What was your worst experience with an editor?

Looking for more posts about the writing and publishing process?  Check out more posts on my novel publication process: Going Through Copy Edits, 1st Daft vs 2nd Draft, Goal Planning: Getting Through the First Draft, My Character Looks Nothing Like My MC, Cover Art: Truth in Advertising, and Post Book Launch: Reflections.  

Want to know more about my novel?  Check out my childhood stories recapping themes in my life I hope prepared me to write this book: Remember the Magic of Santa?, Closet Monsters: Gone too Far?, and Garden Gnomes and other Evils.

OR check out my series where I find similarities between my novel and other popular media.  Hopefully it gives you a better idea whether there are elements in my book you may enjoy. Lost Girl Comparison, American Gods Comparison, and The O.A. Comparison.

MY BOOK IS AVAILABLE AT AMAZON!!!  Please go look at "Follow Me: Tattered Veils" and see if it might be a story that interests you.

Writing Prompts for Midsummer

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Introduction: 

This series of posts has simple goals: provide some basic history on a holiday/event from the past and use that history to spring board potential writing prompts and themes. For some, the history on its own will be enough to come up with some story ideas.  For others, I offered some starting points with themes, scenes, and possibilities I see for the holiday at hand.  

Happy writing and please share a snippet or link to your inspired works ^_^ I’d love to read them.

What is Midsummer/Summer Solstice/Lithe/Litha

For the Northern Hemisphere Summer Solstice is the longest day of the year.  For the Southern Hemisphere Summer Solstice is the shortest day of the year.  For this post, I’m exploring the Northern Hemisphere’s experience of Solstice (sorry southern hemisphere folks).  So today we’ll explore a day where the sun appears to stand still.  The day floats on our calendar between June 20th and June 21st.  

Many cultures knew about Summer Solstice and had varying practices around it.  In the history section I will only cover the smallest bit of information I’ve uncovered.  

History

Ancient Egyptians marked the Solstice as the beginning of when the Nile would flood.  Floods were necessary for good crops (black is the color of life in ancient Egyptian mythology because it’s the same color as good growing soil) but these floods came on quickly and were life threatening to the people living along the banks.  Solstice signalled a time that could bring great bounty and danger all in one needed package.

General British/Irish/Wales lore has a tradition of lighting a bonfire on the eve of the solstice to greet the coming day.  People would jump the bonfire, and if they got through the flames without a burn, they had good luck for the year.  Others would carry out a “wishing traditions” where they would pick up a pebble, hold it walking around the bonfire three times wishing for thing X and then tossing the stone into the flames.  After the bonfire flames subsided, people had uses for the ashes.  They could make a protective amulet to wear for the year or they could sow the ashes into the garden for bountiful harvests.  

Sunwheels, a wheel lit on fire or a ball of straw lit on fire were also popular.  People would light the wheel and roll it downhill into a river.  The burnt remnants go to a local temple and displayed.  In Wales if the fire wheel went out before it hit the water, it promised a good harvest.

Midsummer is a Faery holiday.  The veils between the worlds are thin at this time and many faeries come to our world to celebrate and make merry.  Some suggestions to see faery folk included: staying up all night on the evening before Solstice, wearing a sprig of thyme so you can see the faeries dancing, or summoning the faery with moonstone, a bowl of milk and/or something sweet.  

There are multiple warnings against dealing with the faery folk.  One such story is of a girl Kathleen who went out on the eve of Midsummer to find the faery.  She dances with them and sought to draw the Fae King’s attention.  The King did take an interest in her, he came to her and embraced her.  Kathleen died that evening.  Her body was recovered by a faery fort with a smile on her face.

There are several suggestions on how to protect yourself against the faery folk.  Some sources suggest wearing a jacket inside out to confuse the faery folk as they come to spirit you away.  Others suggest sticking to ley lines where you can escape quickly.  Some sources suggest wearing rue and others St. John’s wort to repel the faery folk or to prevent the more malicious faery folk from approaching.

Other interactions with faeries are positive.  Some people were known to be “faery doctors” like Biddy Early of Connacht.  In her case the Faery Queen came upon the village celebrating midsummer and politely asked the villages to go home so the fae may celebrate in private.  The village complied and Biddy seems to have been gifted faery knowledge.

Sources:

The Farmer’s Almanac

learnreligions.com

witchesandpagans.com

The Sacred Wheel: a Guide to a Pagan year for beginners in Witchcraft and Wicca (new age& spiritual books)

Writing Prompts:

1. The focus on fire in what is the day with the most natural light, is curious, why is fire so integral to most Midsummer celebrations?

-Are people obsessed with their own power to create or mimic the natural world?

-Do sun deities only respond to flames?  

2. What does summer mean to you or your characters?

3. Jumping over a Midsummer Bonfire in more modern literature is often used as a bonding ceremony used instead of a wedding—do you have any characters who appreciate this ascetic?  

-Write you version of a Midsummer bonding ceremony.  What do the people promise each other, do they invoke gods and/or fae to witness their bonding or conescrate it?

4. Gods/Goddesses worshipped in Midsummer center around the sun, the fae, and sex.  Write a steamy scene in honor of this day.

5. Write a wishing ritual scene.  What does the character wish for, is this an act of desperation or a common occurance?  Does the wish come true?  Do gods or supernatural beings get involved?

6. Horror often happens in dark places and there is a lot of speculation on 24hrs on night, but what about 24hrs of daylight?  Is this a magical time where no evil can befall us or does the light simply expose the darkness of our souls?  

7. Write about a fae encounter (chance or summoned).  Good, bad, or neutral, just write a scene with the fae on this day where they travel.

8. What happens to fae who don’t return through the veil before midsummer’s close? 

9. Why do the fae travel in our realm on this day?  Do they wait for Midsummer on their side of the veil?

10.Are humans found dead after faery revels gone forever or have they gone back with the fae to the faery realm?  

Looking for more writing prompts?  Try my post on Matralia.

1st Draft Vs 2nd Draft

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Long time readers may recall in 2016, I completed my first draft of Follow Me: Tattered Veils.  Only I didn’t know it was my first draft, I thought my manuscript was complete and began to query agents.  

I did this even though I was not happy with my first chapter and knew it was a bad hook.  

I did this even though I knew the manuscript rambled and barely held together as a story.

I did this even though my main character is unlikeable and awkward. 

How could I call the manuscript complete with these huge flaws?  How could I query?  It’s simple: I’ve always loved Follow Me: Tattered Veils and I had taken the manuscript as far as I knew how to carry it.  Isn’t selling the next step?  

I shudder at my ignorance, but I didn’t know what I didn’t know.  I wrote other stories, and I workshopped Follow Me: Tattered Veils in between.  After letting it rest about a year, I began rewrites.

Where the first draft came out in patches over the course of two years, with multiple deleted scenes only I’ve read.  I finished the second draft in nine months.  My planning and speed increased.  It took a year of thinking, but I knew better than ever what story I wanted to tell.

So what’s different? 

The order, I’ve joined “kick ass first chapter club.”  My plot.  Follow Me: Tattered Veils tells two stories.  The first draft told Gerry’s story, but I needed to develop Roxi’s.  No one liked Roxi because no one knew her well.  The second draft opens up and gives Roxi time to be herself.

  

  

I wrote twelve new chapters.  Of the twelve new chapters, eight are Roxi centric.  Sharing more social interactions, scenes, and pivotal moments in her life.  These moments create chemistry in my cast.

 Beyond those eight Roxi centric chapters, two of those chapters are about Gerry discovering new insights into Roxi.  So audiences get Gerry’s twisted narration of Roxi where Roxi would be more tight-lipped.  What Gerry says about Roxi isn’t gospel truth, but it has a certain ring of truthiness.  I’m using the audience’s interest in Gerry to make them interested in Roxi.  *Does and evil victory dance*

These were my “big changes,” but the second draft overhauled everything.  Awkward wording, repetitive phrasing, and verb tense shifts are some elements I tackled.  I clarified each of my character’s voices.  I deleted massive amounts of their “thoughts” and made the few casual insights have depth.  

Why talk about this now?  I wanted to write about my drafting process and insights while I drafted, but I feared pausing the process would derail my work.  Now as I wait on my copy editor I have nothing but time to reflect.  

Talk to me.  What does your drafting process look like?  What are the biggest changes from first draft to second draft?  Are you like me where you believe each itteration is the “final” product or do you have a better sense of when your WIP is done?

Looking for more posts about the writing and publishing process?  Check out more posts on my novel publication process: Going Through Copy Edits, 1st Daft vs 2nd Draft, Goal Planning: Getting Through the First Draft, My Character Looks Nothing Like My MC, Cover Art: Truth in Advertising, and Post Book Launch: Reflections.  

Want to know more about my novel?  Check out my childhood stories recapping themes in my life I hope prepared me to write this book: Remember the Magic of Santa?, Closet Monsters: Gone too Far?, and Garden Gnomes and other Evils.

OR check out my series where I find similarities between my novel and other popular media.  Hopefully it gives you a better idea whether there are elements in my book you may enjoy. Lost Girl Comparison, American Gods Comparison, and The O.A. Comparison.

MY BOOK IS AVAILABLE AT AMAZON!!!  Please go look at "Follow Me: Tattered Veils" and see if it might be a story that interests you.