Showing posts with label pagan fiction. Show all posts
Showing posts with label pagan fiction. Show all posts

Tuesday, May 19, 2020

Is The Hero's Journey Problematic? My Thoughts



The short answer is yes, I find Joseph Campbell and his work to be littered with problems.  Some that strike me off the top of my head include: 

-The idea of a monomyth implies that there is only one plot or story structure to explore.  This IS NOT true.  The hero's journey is one of may ways to structure characters and plot and while it's interesting, sometime presenters get overzealous and promote is as a singular lens to view all literature.

-A nonhistoric and nonliterary approach to mythology seems like nonsense or an excuse to distort the intended meaning or the current applicable meaning of the work.  I had a very hard time reading his theories because if we aren’t exploring a myth in the historic period and the literary devices of the time or comparing the work to modern work—then just what are we doing?  There were several times I took offense and had to stop reading and think about what I felt, why I felt it and how to articulate those issues.  

-Freud and Jung’s work may be the foundations of modern psychology but a lot has changed.  The theories used to craft the hero’s journey have a shaky foundation.

-While religions and their myths hold similarities, reducing them down to just these common elements often is overlooking their core meanings and messages.  The end goals of these faiths are different and their ways of showing compassion, honor, ect is different.  For more deconstructing the concept of monomyths and how it hurts our society today, I recommend “God Is Not One” by Stephen Prothero.  His work is clear, and it was very easy to read. 

-Campbell was raised Catholic, and when reviewing his interpretations of myths and structures some of his Christian bias shows.  Though to be fair, I’ve also read where he seems to have misrepresented the Christian point of view too, so maybe he is deliberately obtuse.

-The same way Campbell reduces religions down into one meaningless mass so he can conclude “all is one,” I’ve watched readers and writers hack and chop at a story so it will fit the hero’s journey structure.  All does not have to be one and sometimes reducing something down too far eliminates subtle flavors and notes that made a dish worthwhile. 

-Campbell believes the only heros in ancient texts are male and that only men go through this journey and there is some other gender specific journey women go on.  He expounds on this in his book “Goddesses” which is a rage inducing read.

So if Joseph Campbell isn't for you, I understand.  However, I do think he's a crucial place to start exploring plot and character from because his work has deeply influenced writers for years.  If we don't explore what is good and bad within his work, it will hard to incorporate the good or avoid the bad.   

Saturday, April 18, 2020

Writing Prompts for The Feast of the Charities



I don’t want to be tone deaf.  I know right now some people have to work and feel unsafe (are unsafe).  And I know others need to work and can’t.  And still others are cooped up at home and may receive pay without working or be struggling with the reality of working from home and all the other distractions that come with that.  

A lot of us want to remain productive or on an even keel.  I’m making these writing prompts for folks who find a creative project distracting and helpful but might need a suggestion to get started.  If writing isn’t healthy for you right now or if you can’t write, it’s ok.  Please don’t take this as a condemnation.  We’re all coping differently and do what’s best for you.  The last 3 prompts incorporates pandemic themes as part of the prompt.  If you’re struggling, that may be one to skip.

Introduction: 

This series has a simple goal: provide basic history on a holiday/event and use that history to spring board potential writing prompts and themes. For some, the history on its own will be enough.  For others, I’ll suggest prompts I thought of.  

Happy writing and please share a snippet or link to your inspired works ^_^ I’d love to read them.

Feast of the Charities: 

There isn’t a lot of information on the Feast of the Charities. The day of this holiday vary but one suggested date is April 18-19, and the holiday itself is so little known that neither Wikipedia nor Encyclopedia Britanica.  I found these dates in Shirley Twofeather’s pagan calendar and she sources  Llewellyn… which isn’t encouraging for historic accuracy.   The only creditable resource I could find on the day itself is ancient.eu and they write: 

“The Graces were the subject of cult worship across the Greek world, but especially southern Greece and Asia Minor. They were particularly important at Orchomenus in Arcadia where they had an annual festival, the Charitesia, held in their honour.”

But ancient.eu doesn’t give any dates or times for the Charitesia.  They expound on Charities cult worship and imply that different charities were integrated into local celebrations. 

The “charities” also known as “graces” were Aglaica (splendor), Euphrosyne (joy), and Thalia (mirth).  They are minor goddesses or nymphs descended from Zeus and the Oceanid, Eurynome (nymph of water ways and clouds).  They attended Aphrodite and Hera.  Their major relationship with mortals was to inspire attraction to wisdom, love, culture and social interaction.  The three are most often depicted dancing naked.  They have associations with spring flowers and are the youthful embodiment of beauty from physical to intellectual, artistic, and moral. 

It’s worth noting the Feast of Charities seems to celebrate these three charities, but there are at least nine different Graces/Charities.

Llewellyn suggests orange as a predominate color and sage as the preferred incense.  Given what I could discover about the charities, I’d think offering any spring flowers/scents would be more appropriate.  A drawing or free write dedicated to the charities ideas could also be a fun way to pass the day.

Llewellyn writes, "Get some friends together and dress up. Arrange each other’s hair. Dance and sing, or perform some sacred theatre. Visit an art gallery or walk through a street fair. Alternatively, do something nice for the less fortunate. Bundle up old clothes you never wear anymore to recycle for the less fortunate, or hold a food drive and donate the results to a local charity."

Other days for The Feast of the Charities include: January 17-18, January 30-31, May 26, July 9-10, or October 13. 


I like a holiday which inspires creativity and kindness.  Its floating date is a positive because you or your character could celebrate/honor/acknowledge the Charities multiple times a year or whenever it’s relevant. 

Sources:


Writing Prompts:

1. What are some Spring blooms in your area?  Do they have any associations?  Mash up those local correspondences with The Graces.  How would splendor, joy, and mirth impact these flowers, are they inherent with blooms?  

2. Write a scene with your characters embodying one of these three characteristics (splendor, joy and mirth).—Can I suggest the villain interact with these elements?

3.  Have one of your characters meet one or all three Graces.  

4. Depict your characters performing an act of kindness or charity.  

5. Create a scene where an early act of kindness/charity is rewarded.  

6. Create a scene where an early act of kindness/charity is punished.  How does your character react?  Does this diminish their desire to do good?

7. Create a scene where your main character (or villain) receives charity from a stranger.

8. It seems like the Feast of the Charities was a time to bring people together for a meal and performance.  We’re in a time of social isolation where we can’t get together in sizeable groups.  How else could one honor the ideals of the Charities (using a video chat or virtual Meetup/play is cheating, come up with something wacky or wild for you or your characters!). 

9.  What in our current world embodies the Charities’ virtues?  What doesn’t? 

10. During this pandemic, many of us are being asked to act not for our own health but to safeguard the health of others.  How does this play into the virtues of the Charities? Are these themes you could bring into your writing?  

Looking for more prompts?  Check out April's full moon,  Mid-summer prompt or Matralia

Tuesday, April 7, 2020

Writing Prompts For April's Full Moon



Introduction: 

This series has a simple goal: provide basic history on a holiday/event and use that history to spring board potential writing prompts and themes. For some, the history on its own will be enough.  For others, I’ll suggest prompts I thought of.  

Happy writing and please share a snippet or link to your inspired works ^_^ I’d love to read them.

April’s Full Moon: 

Names include: the Wind Moon, the Seed Moon, the Hare Moon, the Growing Moon, the Pink Moon, and the Egg Moon.

April’s moon has obvious associations with growth (seed moon or growing moon).  In the Northern Hemisphere we’re experiencing differing phases of spring.  Euro-centric countries enjoy early blooming flowers like daffodils and tulips steal the gardening show.  April can be a wonderful to celebrate early progress on a goal, to start new goals if current efforts haven’t yielded results, or to continue to nurture past commitments.

Old folklore suggests the full moon until the last quarter is the best time to kill weeds, thin or prune a garden, mow the lawn, cut timber, and to plant below ground crops.  If you’re looking for more lunar-based gardening information, check out alamanac.com.

Some claim April is the Pink Moon because creeping phlox is in full bloom this time of year (and it’s a pink flower).  Others claim April became the “Pink Moon” because pink is Venus’ color and she is the governor of the house of Taurus (The horoscope sign we’re about to enter).  The connection to Venus, Goddess of love, can make April a delightful time to work on relationship magic, whether it’s a plutonic or romantic relationship.

While we portray March as a stormy month, April is the windy one—hence “Wind Moon.”  It’s suggested one meditate on seeds carried or pollinated by the wind.  Allergy season intensifies around this time.   Patti Wigington suggests this moon can be an excellent time to meditate on the power of the air element and how winds from different directions have varying associations and energies one can use.  

This moon happens after Ostara (spring equinox), why some may call it Egg Moon and it is the last moon before Beltane (May day).  Often people reflect on the building fertility/growing energy during this time.  They either wind down their Spring Equinox celebrations or they charge and prep for Beltane.

This year April’s moon will be the biggest super moon of 2020, so if you have a clear sky, it might be worth a gander.  April’s moon falls in the house of Libra this year, so it’s an agreeable time to check in and seek to rebalance any element in one’s life.   

Sources:





Writing Prompts:

1. Stare at the moon, free write and associate with whatever suits.  

2. What aspect of this moon lore would your character most identify with?  

3. Is what your character identifies with the same as what they most need?  

4. Use any of the elements of the April moon to write a quick scene with one of your characters.

5. Create a character who embodies any of the April moon’s energies.

6. Write a full moon induced romance scene.  

7. Write about something that grew under the light of the April moon.  

8. Write a scene where your character reacts to what’s carried on the wind (a smell, a conversation, a note or seed, ect).  

9. Write a story where the moon actually appears pink—why—what happens, does anyone even notice?

Looking for more prompts?  Check out the Mid-summer prompt or Matralia

Tuesday, February 11, 2020

If You Like "American Gods" You Might like My Novel (mild spoilers for the book/show—not my novel)

This
Original American Gods book cover.

VS

This
Follow Me: Tattered Veils wide image art work created by Jake @ J Caleb Designs


This is part of my Honest Comparison series.  Hopefully, it helps you decide if my novel might be something you'd enjoy reading.  Thanks for tuning in!.

American Gods: is a novel by Neil Gaiman that's seeing a resurgence in popularity as a Starz TV show based on the book just finished its second season.  The basic premise Shadow, upon his release from prison, agrees to work as a bodyguard to Mr. Wednesday.  The two go on a road trip recruiting various associates of Mr. Wednesday.  A bunch of stuff happens that I would spoil if I went any further.  It’s a great supernatural/fantasy hybrid story that incorporates many kinds of storytelling.

What does this series and Follow Me: Tattered Veils share? 

One element both this story and mine have in common is that the magical/supernatural world intertwines with the mundane world readers know.  It’s happening next to us non-magical people and we’re just not looking at it.

In American Gods, gods and mythical creatures are just chilling on the human plane, working mundane jobs, and interacting with humans as they feel is best for their survival.  The inhuman beings in Follow Me: Tattered Veils are like that too.  They show up and bless or curse humans as they feel appropriate.  And just because the characters’ have ended the summoning or the ritual, doesn’t mean the beings they called have left.

American Gods uses real road trip landmarks as mystical energy centric places for gods and supernatural creatures to gather.  Since these places are real, readers can create their own American Gods style road trip if they desire, but it also helps to ground some more fantastic elements of the narrative in the real world.  I went to Rock City because of how it’s featured in American Gods and how I experienced that place was impacted by Gaiman’s description.  I’m aspiring to do the same for a few locations in Huntsville, Alabama.  

The characters in American Gods and Follow Me: Tattered Veils have critical flaws.  Sometimes the characters are down right unlikable.  What drives a reader to keep going is how interesting they are, it's a different type of charisma.  No one wants to sit down and have a beer with them, but they might be curious to see what the next move is anyway.  

While never intended for this use, American Gods comes up a lot in American pagan discussions.  There are a subset of polytheistic pagans in America who wonder what gods to honor.  We don't have ancient land gods like our European cousins (we do, they are Native American deities but there is a whole side discussion over whether we should/can honor these gods and which gods apply to which territory/how we would verify this info with the still living Native peoples).  I can't tell you how often "This is a bad land for gods," was quoted in a forum.  While not a religious or theological texts, American Gods creates a jumping off point to start discussing what it would mean if there were multiple gods, if those gods had limited powers, and if those gods had a fluctuating morality.  

Follow Me: Tattered Veils is a smaller, more personal story.  It doesn't discuss the nature of gods and how they may exist in a non native landscape.  Instead it tackles one woman modernizing an older practice to suit her lifestyle and it further tackles what happens when myths and legends are real and interacting with each other in the real world.  I don't expect it to be an intro to paganism, but I do think it may open a conversation up on many magic and legend based topics.

Did you love American Gods?    Have you read the book, watched the show, or both?  Do you like the book or the show better? Were any of these elements parts you loved?  If so consider picking up Follow Me: Tattered Veils when it releases in February.  Check out my website jessicadonegan.com for more details.

Haven't read American Gods yet but want to now?  Check it out at Amazon.  Looking for the show?  Look here.

Still undecided on whether you want to give my novel a chance? There's more stuff to help you! Check out:  Lost Girl Comparison and The O.A. Comparison.

Looking for more posts about the writing and publishing process?  Check out more posts on my novel publication process: Going Through Copy Edits, 1st Daft vs 2nd Draft, Goal Planning: Getting Through the First Draft, My Character Looks Nothing Like My MC, Cover Art: Turth in Advertising, and Post Book Launch: Reflections.  

Want to know more about my novel?  Check out my childhood stories recapping themes in my life I hope prepared me to write this book: Remember the Magic of Santa?, Closet Monsters: Gone too Far?, and Garden Gnomes and other Evils.

Need an introduction to Roxi Starr? Here's her performing an Imbolc ritual to help whet some appetites.


MY BOOK IS AVAILABLE AT AMAZON!!!  Please go look at "Follow Me: Tattered Veils" and see if it might be a story that interests you.

And for updates please check out jessicadonegan.com and subscribe.

Sunday, February 2, 2020

Roxi's Imbolc

  
Snopdrop flower found through pubaicdomainvectors.org

Below is an Imbolc Celebration as my main character Roxi from "Follow Me: Tattered Veils" may celebrate the day.  It's a fun little extra and I hope it helps introduce readers to Roxi before the release of my novel.  Feel free to look at a full summary of "Follow Me: Tattered Veils" here.  And feel free to pick up a copy of my book at Amazon.
********************************************************************************************************

Roxi wakes up an hour before dawn to prepare her shrines.  The coffee table holds her ceremonial tools including a pomegranate and a stone to honor Persephone.  Roxi lights a small fresh votive and picks up the pomegranate.  Deep breathe in and Roxi closes her eyes and feels the fruit’s thick skin.  It’s firm, free of the mushy bruises that mark so many others.  Red-pink skin feels smooth and subtle under Roxi’s fingers, there’s something rich and compelling with its color and texture.  Roxi imagines goddess Persephone cradling a fruit just like this.  Deep within Hades, what did this deep color mean to her?  Deep red like blood and a living fruit like those her mother Demeter tended—did it remind Persphone of the life on the surface Hades stole her from?  Did she think the servant boy offering it to her, handed her comfort?  The Pomegranate is so large, Roxi needs both hands to hold it and she wonders if Persphone’s perspective mirrored her own.      

Roxi cuts into its skin to reveal the white waxy flesh hiding below the surface.  Blood and bone have such strong grave connotations Roxi wonders how Persephone missed them.  

But then, blood and bone also connect us to life, to this material world.  Perhaps Persephone has spent so much time with immaterial spirits she was relieved to know something of the physical world again.

 It takes care to peel away the skin, protecting the fragile seeds like foam egg crates do precious cargo, but Roxi plucks the seeds out whole and undamaged.  She admires the transparent ruby shine each seed holds.  Its own little world.  Which ones would grow and which would rot?  Infinite possibilities at this phase.  

The red pill.  No going back from here.

Half of the seeds go onto a metal leaf offering plate with a handful of almonds.  Roxi keeps the other half in a wooden bowl in front of her.  

“For you, my  kindred, let’s travel together.  We knew darkness and limbo.  Sat in the spirit realm, in a state beyond time and touch.  But now it’s time to ascend: to know rebirth.  Even as we eat the fruit of death, let’s celebrate it richness.  It has a bright surprising tang on our tongue.  Instead of looking at shadows, let’s see the natural cycle as it is, and death is a necessary step to all life. The wheel with turn and with it, we will have to face our end.  But today is for new beginnings.  I offer almonds to celebrate our freedom, maybe enjoy the warm sun on our faces and cooling rain that will run through our hair,” Roxi prays.  

She eats her meal cross legged on the floor.  The room is dark, lit only by a single votive candle.  Roxi feels the energy build alone with the small light.  She imagines herself next to Persephone in Hades, shrouded in darkness and fog, the votive mimics the sun slipping over the horizon.  It guides her through a jagged path to the surface.  Roxi like Persephone, waits for the sun to rise and lead her back to the mortal realm.

Outside, Roxi hears the loud songs of returning songbirds.  For the moment she tries to keep her mind focused on the dark and the pomegranate seeds.  These are her last moments living in quiet reflection.  In only minutes now, she will change.  Her life restarts and instead of tarot readings and long nights reflecting on the past year, Roxi will turn her face to the sun, taking action, and filling her life with all her favorite activities.  The very prospect thrills Roxi and sends rushing bolts of energy through her.  She might need to time to process her life and plan, but she is not by nature one for self reflection.  If she had her way, Roxi would leap full force from project to project and never look back at the destruction and chaos she leaves strewn behind her.

Roxi rises and head to her fridge.  She’s kept a wreathe of fresh narcissus and lilies for the occasion.  Roxi adorns Persephone’s statue with the wreathe.  

“Welcome back to the light and the world of the living.  Let these flowers, at their height of vitality inspire you to new heights of exploration and joy,” Roxi says.  

She lights a lavender pillar candle near the statue.  She dips her fingers in a bowl of fresh olive oil.  Roxi anoints the statue’s forehead and lips.  She feels energy swirl and tingle around her.  Roxi visualizes the power filling her and helping her “grow” roots down to the earth below.  The energy settles around her statue of Persephone and Roxi knows the goddess accepts her offering and will remain close to her for another spring.  She smiles despite how serious the moment should be.  Knowing she’s connected with the young goddess and renewed their standing contract, brings too much pleasure for her hold it all in, even if there’s also a weight of obligation that comes from working with any deity.  Enshrined in energy and the “proof” of her own faith, Roxi feels the world re-awaken around her.  She opens her arms in welcome as she envisions crocuses budding and robins foraging on her lawn.

“Demeter greets you in joy and love.  With you comes her kindness.  She softens and warms the soil so your bare feet make walk the earth in comfort.  Return to the land and grow in light and love,”   Roxi prays.  

This is the last day this statue will reside in her center table.  Tomorrow Roxi will break down the little shrine and the Persephone statue will return to its top corner in her hutch in the study.  Another deity will take over Roxi’s central worship.  She’s still uncertain what will call her next. 

Roxi walks back toward her kitchen, to the sun room, and out her sliding door to the outside.  It’s too cold for Roxi to be barefoot in short sleeves, yoga pants, and a pastel wrap, but her traditions require it.  She shivers as her feet numb from the chill of the cement.  One deep breathe in and another out.  Roxi refuses to shiver, if she starts, she’ll never stop.  Her hands have to be steady for the rest of her ritual work. 

Candles cover the outdoor seating area.  Roxi’s pots with narcissus and crocuses are out and exposed to the chill air. She’s been growing in the study, so no matter the weather, they’d be ready for her Imbolc ritual.  Budding but not in bloom, Roxi wants them to linger in early growth until the Spring Equinox.  Some of them will flower early but Roxi’s picked a bulb plant that blooms 2-5 weeks after it buds, so she imagines some of them will flower just in time to greet spring.  It brings her a bubble of pride to see all her planning come together for her holidays.  Life on earth may have happened by a divine cosmic accident, but that’s all the more reason to celebrate the natural ebb and flow.  Isn’t it miraculous there’s any life to celebrate, let alone such a vibrant one?  And humans, so removed from natural cycles, need to plan more than most creatures if they want to return to that nature.  Roxi’s made the effort.

On her third breathe in, Roxi turns to the east.  Her fence is too tall for her see the sunrise, so she has to imagine the rising sun.  She pictures a flat endless horizon where the flaming sun peaks over the dead brown grass.  She pictures in her mind’s eye how this is the beginning.  The earth is still in slumber with all the green in deep hibernation.  The days are too short and the weather is still harsh, but the sun is rising and dawn is coming earlier and earlier.  The golden warmth is chasing the chill of winter.  The grass may feel frail and contain an almost uniform dead brown coloration but deep searching will show strands of green fighting through to the light.  The gray clouds shouldn’t be discounted as a depressing veil, instead Roxi must consider the hydrating rain that falls from those heavy clouds.  Soon enough the rain will end and Roxi can dance below azure skies.  Alabama is a lush wild green with vines that weave and snake through each other competing for attention, space, and resources.  Roxi feels the power of this time marching to the forefront and pulling her along in its wake. This sunrise is like the very beginning of a tide coming in.  

Roxi walks around her patio lighting every candle and outdoor torch.  It floods the area with light, mimicking the light the sun will soon raise across the land.  Roxi takes blessed water and sprinkles it over each narcissus and crocus.  She moves one arm to form a pentacle blessing over each pot.   

While this is a greeting of the sun and Catha, a sun goddess would be a natural choice for this celebration, Roxi shies from her.  She is pledged to Artemis, a Goddess of the moon and hunting, leaves her wary of celebrating the daylight too strongly.  Instead, Roxi calls on Menfra, a goddess of dawn, dusk, craft, and industry to celebrate the coming dawn and her a period of her life meant to focus on refining her skills and talents.  

“Menfra, welcome this world and bring your warmth earlier each morning while you bear the darkness later in the evening.  Bless us with plentiful materials to inspire great personal and natural growth.  You lead us to light and to our passions.  May you illuminate a rich and meaningful path for me in this new year,” Roxi prays.   

She picks a hammer decorated in lavender and cream colored ribbons along with a large iron ceremonial nail arranged on a nearby table for her.  Roxi walks through her garden and to her fence.  In the back most eastern corner is a fence post with a new nail added in each year.  

“With this act, may I nail in a year full of vibrant new challenges, joy and growth.  May my fortune be filled with deep experiences and rich in meaning.  Let my path be clear and continue to take me where my gods wish me to go,” Roxi beseeches.  She places the nail on the post and hammers it in.  She pictures a silver sparkling waif-like hand or Nortia, the Goddess of fortune, holding the nail with her.  Instead of holding the hammer in her other hand, Nortia holds a shimmering multicolored long cloth.  Below Nortia’s hold it flows on as far Roxi’s eye can see and it squirms and struggles.  Its colors, shape, and size shift in a way that makes Roxi dizzy.  Where Nortia holds this fabric, the bright colors remain steady, and it is as stationary as a rock.  She shows no effort in holding down fate, even though the riotous colors splayed beyond her reach fluctuate in such extremes Roxi can barely make out any element from one moment to moment.  With Nortia’s help, Roxi knows her nail will hammer in her own fate for this year.  

When Roxi is done with her work, she sends a silent thanks to Nortia.  The natural light is strong now so Roxi bids a silent farewell to Menfra.    Dawn is past, and it’s time to move on.  

Roxi moves to her kitchen and a small shrine on her high top against the wall.  Against the wall is a traditional picture of Columbia in her American flag gown and a star studded Phrygian cap.  Below is a small flag on a stand, an incense holder and several local rocks and seed pods.  Roxi lights a new large pillar candle below the painting.  She takes a fresh incense stick scented in fresh orange blossom, almonds, and ginger.  It invites the senses into the coming spring while grounding the smell with earthy textures meant to remind Roxi that spring is coming but that she is still transitioning in from the cold still winter.  

She walks through every boundary and area of the house with the lit incense.  She breathes the scent as it blesses every small nook and space in her home.  Roxi can feel her home’s blessing and protections revive under its touch.  In Spring Equinox Roxi will strengthen and reset her home’s protections and welcome, but feeling its soft glow still strong and ready makes her feel safe in her home and her life.

The rest of Roxi’s day is dedicated to blessing areas of her garden and pruning the beds.  She’ll pull weeds and cut back what’s over grown, mixing action with prayer.  It’s not enough to believe, right action above right thought. 

Roxi will be dirty and hungry come mid-afternoon.  She’ll shower, using an orange ginger body scrub.  Finally warm again after long hours in the cold February air.  She’ll hum “The Mummer’s dance” as she steeps tea and begins baking bread. The candles will have burnt out, but Roxi’s purpose will burn bright within her.  As promised, Roxi’s house will be full of industry as she transitions from a period of reflection to action.  

The bread, first of this year, will go to those less fortunate.  Roxi donates it to a local shelter, but she’ll save a few loaves for herself and another for her gods.  Next week she will head to Big Spring Park where she can honor her local land god in their chosen place.

It may make her a bad follower of Artemis, but this is Roxi’s favorite time of year.  She loves stepping out of long dark nights into a fresh dawn.  There’s so much promise in these early days, and the nights are long enough to still surround her future in dark mystery that keeps Roxi curious and pushing for more.  

The potential is always more interesting than the reality, but it’s nice to live in hope.

*********************************************************************************

Still undecided on whether to purchase my book?  Check out what it shares with these popular shows, movies and books:  Lost Girl, American Gods, and The O.A..

Need something more personal?  Check out some childhood stories and how I inter grated those element of my life into my novel: Remember the Magic of Santa?, Closet Monsters: Gone too Far?, and Garden Gnomes and other Evils.

Looking for more posts about the writing and publishing process?  Check out more posts on my novel publication process: Going Through Copy Edits, 1st Daft vs 2nd Draft, Goal Planning: Getting Through the First Draft, My Character Looks Nothing Like My MC, Cover Art: Turth in Advertising, and Post Book Launch: Reflections.  


MY BOOK IS AVAILABLE AT AMAZON!!!  Please go look at "Follow Me: Tattered Veils" and see if it might be a story that interests you.

And for updates please check out jessicadonegan.com and subscribe.

Friday, June 21, 2019

Writing Prompts for Midsummer


image under public domain via publicdomainvectors.org


Introduction: 

This series of posts has simple goals: provide some basic history on a holiday/event from the past and use that history to spring board potential writing prompts and themes. For some, the history on its own will be enough to come up with some story ideas.  For others, I offered some starting points with themes, scenes, and possibilities I see for the holiday at hand.  

Happy writing and please share a snippet or link to your inspired works ^_^ I’d love to read them.

What is Midsummer/Summer Solstice/Lithe/Litha

For the Northern Hemisphere Summer Solstice is the longest day of the year.  For the Southern Hemisphere Summer Solstice is the shortest day of the year.  For this post, I’m exploring the Northern Hemisphere’s experience of Solstice (sorry southern hemisphere folks).  So today we’ll explore a day where the sun appears to stand still.  The day floats on our calendar between June 20th and June 21st.  

Many cultures knew about Summer Solstice and had varying practices around it.  In the history section I will only cover the smallest bit of information I’ve uncovered.  

History

Ancient Egyptians marked the Solstice as the beginning of when the Nile would flood.  Floods were necessary for good crops (black is the color of life in ancient Egyptian mythology because it’s the same color as good growing soil) but these floods came on quickly and were life threatening to the people living along the banks.  Solstice signalled a time that could bring great bounty and danger all in one needed package.

General British/Irish/Wales lore has a tradition of lighting a bonfire on the eve of the solstice to greet the coming day.  People would jump the bonfire, and if they got through the flames without a burn, they had good luck for the year.  Others would carry out a “wishing traditions” where they would pick up a pebble, hold it walking around the bonfire three times wishing for thing X and then tossing the stone into the flames.  After the bonfire flames subsided, people had uses for the ashes.  They could make a protective amulet to wear for the year or they could sow the ashes into the garden for bountiful harvests.  

Sunwheels, a wheel lit on fire or a ball of straw lit on fire were also popular.  People would light the wheel and roll it downhill into a river.  The burnt remnants go to a local temple and displayed.  In Wales if the fire wheel went out before it hit the water, it promised a good harvest.

Midsummer is a Faery holiday.  The veils between the worlds are thin at this time and many faeries come to our world to celebrate and make merry.  Some suggestions to see faery folk included: staying up all night on the evening before Solstice, wearing a sprig of thyme so you can see the faeries dancing, or summoning the faery with moonstone, a bowl of milk and/or something sweet.  

There are multiple warnings against dealing with the faery folk.  One such story is of a girl Kathleen who went out on the eve of Midsummer to find the faery.  She dances with them and sought to draw the Fae King’s attention.  The King did take an interest in her, he came to her and embraced her.  Kathleen died that evening.  Her body was recovered by a faery fort with a smile on her face.

There are several suggestions on how to protect yourself against the faery folk.  Some sources suggest wearing a jacket inside out to confuse the faery folk as they come to spirit you away.  Others suggest sticking to ley lines where you can escape quickly.  Some sources suggest wearing rue and others St. John’s wort to repel the faery folk or to prevent the more malicious faery folk from approaching.

Other interactions with faeries are positive.  Some people were known to be “faery doctors” like Biddy Early of Connacht.  In her case the Faery Queen came upon the village celebrating midsummer and politely asked the villages to go home so the fae may celebrate in private.  The village complied and Biddy seems to have been gifted faery knowledge.

Sources:


Writing Prompts:

1. The focus on fire in what is the day with the most natural light, is curious, why is fire so integral to most Midsummer celebrations?

-Are people obsessed with their own power to create or mimic the natural world?

-Do sun deities only respond to flames?  

2. What does summer mean to you or your characters?

3. Jumping over a Midsummer Bonfire in more modern literature is often used as a bonding ceremony used instead of a wedding—do you have any characters who appreciate this ascetic?  

-Write you version of a Midsummer bonding ceremony.  What do the people promise each other, do they invoke gods and/or fae to witness their bonding or conescrate it?

4. Gods/Goddesses worshipped in Midsummer center around the sun, the fae, and sex.  Write a steamy scene in honor of this day.

5. Write a wishing ritual scene.  What does the character wish for, is this an act of desperation or a common occurance?  Does the wish come true?  Do gods or supernatural beings get involved?

6. Horror often happens in dark places and there is a lot of speculation on 24hrs on night, but what about 24hrs of daylight?  Is this a magical time where no evil can befall us or does the light simply expose the darkness of our souls?  

7. Write about a fae encounter (chance or summoned).  Good, bad, or neutral, just write a scene with the fae on this day where they travel.

8. What happens to fae who don’t return through the veil before midsummer’s close? 

9. Why do the fae travel in our realm on this day?  Do they wait for Midsummer on their side of the veil?

10.Are humans found dead after faery revels gone forever or have they gone back with the fae to the faery realm?  

Looking for more writing prompts?  Try my post on Matralia.